WAMPLER PEDALS® is a registered trademark property of Wampler Pedals, Inc. ENGL® is a registered trademark property of Edmund Engl. Z-VEX® is a registered trademark of property of Zachary Vex. FULLTONE® is a registered trademark of Fulltone Musical Products, Inc. Z AMPLIFICATION® is a registered trademark of Dr. CARVIN® is a registered trademark of Carvin Corporation. T-REX ENGINEERING® is a registered trademark of T-Rex Engineering ApS Corporation. THD® is a registered trademark of THD Electronics Ltd. JET CITY AMPLIFICATION 333® is a registered trademark property of 333 Enterprises Incorporated DBA Jet City Amplification Corporation. GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation. GROOVE TUBES® is a registered trademark of ROKR Ventures, Inc. SEYMOUR DUNCAN® is a registered trademark of Carter Duncan Corporation. ORANGE® is a registered trademark of Orange Music Electronic Company Ltd. FENDER™ and all FENDER amplifiers, logos, and trade dress are the trademarks of FMIC and used herein under license. MESA/Boogie® is a registered trademark property of MESA/Boogie Limited Corporation. Marshall® and the Marshall logo are registered trademarks of Marshall Amplification Plc. You know, a long lineage of insanity.AmpliTube®, TONEX®, AI Machine Modeling™, ToneNET™, SVX™, X-GEAR™, X-DRIVE™, X-SPACE™, X-TIME™, X-VIBE™, VIR™, DIM™, DSM™, VRM™, are trademarks or registered trademark property of IK Multimedia Production Srl. I can't think of anytime I just used Bias Amp without JamUp or FX. That's where the Amp I create or download fused into an FX chain really shines. I got pretty close to my Boss-gt-3 Humanizer Effect with TS.ģ) I can't really use Bias Amp until I get it into Bias FX or JamUp. Just for a few disclaimer's, 1)when I say Metal Tone, I mean bands like Testament, Exodus, Overkill, Metallica, Carcass, Slayer, and the like.Ģ) I think Tone stack is quite a phenomenal app. And what I personally think of their tone. So.I am just commenting on my experience with all of the above said apps. I was able to do this in AmpOne pretty quickly as well, and AmpKit slightly, though the tone was not as Metal of a metal tone as I would have liked in AK. It very well may be possible to get a Metal sound out of them, but after screwing around for quite awhile with each, I got nothing close to the tone/sound I could achieve with Bias Amp integrated into JamUp or Bias FX. I've monkied around with the pedals and amps in GarageBand, Ampkit, Amplitude, Tonestack, and The Auria Plug-in THM Overloud. I can get sounds out of Bias as good as my Boss MT-Metal Zone, without all the feedback. All of the distortions in Tonestack sound way too un natural to my ears. I was pretty optimistic when Yonac said they were kinda revamping the Metal pedals and amps in ToneStack. I've been playing Metal for over 20 years, and the sounds I can get out of Bias FX and JamUp pro(when I used it), are to my ears second to none. I only use the apps because I have them, and wouldn't buy them again if I had to. With that said, I still don't like Positive Grid and their app approach. I use Bias on my iPad now for clean tones and Tonestack with Motherload 2.0 for everything else. I read that here and put Bias back on the iPad and have to agree with a lot of folks. I find it excels there and Bias is best for clean tones. I disagree about Tonestack not being good for metal.
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